![]() Increase the Blur slider to a reasonable amount for your photo (for this image, I set it to 45 px).(You might also want to zoom in to try and match the grain of the background with your subject.) ![]() It’s also a good idea to add a touch of Grain using the Noise panel to help keep the photo looking realistic, as blurring a photo can remove the natural grain from your photo. With the background layer selected, go to Filter > Blur Gallery > Field Blur.This will make it easier to compare the blurred background with the subject so that you add the correct amount of blur for your photo. Make the top layer visible by clicking the eyeball to the left of the layer thumbnail.Optional: Right-click over the background layer and choose Convert to Smart Object.Now it’s time to blur the background! If you like, you may want to convert the background to a Smart Object (as shown below) to allow you to make changes to your blur if it needs adjustments. Note: Don’t worry if you see odd or pixelated areas in your fill area once the image is blurred, these areas will dissipate and likely will not be apparent in your final image. Deselect the area with the keyboard shortcut Cmd + D (Mac) or Ctrl + D (Win).Go to Edit > Fill and choose Content Aware from the Contents drop-down.I am using a pixel amount of 50 pixels for this image, but if your image is larger or smaller than this size (4145 x 5439 pixels at 240 resolution) you may need to alter this amount. Go to Select > Modify > Expand to make the selected area larger.This will create a selection from the mask you created in the previous step. Press and hold the Cmd (Mac) or Ctrl (Win) key and click the mask.Hide the top layer by clicking the eyeball to the left of the layer thumbnail (the layer that you just masked).By filling the family with content-aware fill, you’ll avoid this halo. You don’t want to skip this step, as when you blur the background, if the family is still there, you’ll see a “halo” of their blurred bodies. Selecting a region changes the language and/or content on this step, you’ll fill the background layer using content aware so that the family is not visible in the background layer. You don’t need the background to be completely black to get the stunning contrast you want. With this technique, the blue background of a lake or the red background of a fire station can transform into something darker and more dramatic. Do you want to get a flat, black look? Or is some texture and pattern in the background OK? While you can always edit out unwanted details or areas of gradation in post-production, anything you do in-camera to limit those flaws will save you precious time later. Think about the background design as you find places to shoot. This will give your subject an interesting outline that can fade gently into the darkness behind. Position your model so they’re in the light, while the rest of the scene falls into shadow. You usually just need to find where the sun is shining through a specific object,” notes Secrest. ![]() “When the sun is shining through something like a window or areas of a parking garage or tree, that can work really well. When you shoot on location, you’re more likely to stumble upon unique natural light that may be perfect for a black background photo.Ĭertain kinds of light will help you naturally achieve a dark setting. Aside from using a black color in the background, “you can position your model in an area where the sun is shining perfectly, so the background is a lot deeper and darker than the subject,” says Secrest.
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